As the popularity of dime novels increased, original stories came to be the norm.
The books were reprinted many times, sometimes with different covers, and the stories were often further reprinted in different series and by different publishers.
Beadle & Adams had their own alternate "brands", such as the Frank Starr line.
As a whole, the quality of the fiction was derided by highbrow critics, and the term dime novel came to refer to any form of cheap, sensational fiction, rather than the specific format.
The New Dime Novels were issued with a dual numbering system on the cover, one continuing the numbering from the first series and the second and more prominent one indicating the number in the current series; for example, the first issue was numbered 1 (322).Examples of dime novel series that illustrate the diversity of the form include Bunce's Ten Cent Novels, Brady's Mercury Stories, Beadle's Dime Novels, Irwin P.Beadle's Ten Cent Stories, Munro's Ten Cent Novels, Dawley's Ten Penny Novels, Fireside Series, Chaney's Union Novels, De Witt's Ten Cent Romances, Champion Novels, Frank Starr's American Novels, Ten Cent Novelettes, Richmond's Sensation Novels, and Ten Cent Irish Novels.In the modern age, the term dime novel has been used to refer to quickly written, lurid potboilers, usually as a pejorative to describe a sensationalized but superficial literary work.Dime novel became a general term for similar paperbacks produced by various publishers in the early twentieth century.